P O W E R . H O U R

Abiosè uses time itself as a constraint and creative force. Each painting is created in one hour, thus with and against the speed of time. Her work is not just about speed—
it embodies speed.

After hours to months of preparation, She starts the clock.
As the minute hand races around the clock, for that One Hour, that specific 60 minutes — 3600 seconds — The Power Hour,
every stroke of paint is critical and deliberated.

Abiosè’s works go beyond just depicting speed — it engages with the speed of time itself. The use of timepieces as a substrate, combined with the one-hour constraint, makes her work conceptual. The paintings don’t just represent motion;
they exist within it.

In the tradition of time-based conceptual works, Abiosè's practice transcends mere representation to become a performance-based meditation on consistent bursts of high performance temporality itself. Each piece exists simultaneously as object, document, instrument and performance artifact.

Abiosè’s approach is innovative, rejecting canvas and using functional timepieces as both
medium and metaphor.

This positions her as a
frontier performance based
automotive artist.

She’s painting speed itself.

That makes her work contribute to, empower, and stand apart in the world of automotive art.